November 16, 2018

Our 2018-2019 Reel

Here’s the 2018-2019 reel of work by Carbon Trace Productions. Since 2015, we’ve completed six documentary films including the award-winning feature Downtown: A New American Dream. All of these films are now free to watch on Vimeo. Just visit carbontrace.net. And we’ve produced several videos for humanitarian organizations including the Syrian American Medical Society and MSU Care. I am very proud of this work, my student documentary team and the professional staff, including Shannon Cay Bowers, Shane Franklin, Taye Abithi Taye, and Tyler Beck. Soon, all my Rhetorica and Facebook friends will be able to help. I expect Carbon Trace Productions to get its 501(c)(3) tax-exempt status in January, which means you’ll be able to make tax-deductible donations to keep this work moving forward and help students learn to tell compelling stories.

Carbon Trace Productions from acline on Vimeo.

September 27, 2018

Watch Every Child

Every Child from acline on Vimeo.

Here’s the latest from Carbon Trace Productions.

September 20, 2018

“Every Child” to Screen at Public Affairs Conference

My student documentary team and I have finished another short film entitled Every Child. It premieres as part of the 2018 Public Affairs Conference at Missouri State University.

The conference opens with the Unity in Community Film Festival — a day-long screening of films following the conference theme. My team produced two of the five films. You can check out our work at Carbon Trace Productions.

The feature film of the festival is Johnny Cash at Folsom Prison.

In other news:

I ditched the Springfield Report website that used to be a publishing venue for my multimedia journalism class. And I ditched my Carbon Trace bicycle/alternative transportation blog because it was hacked in a brute-force attack. Because I’m also running the non-profit production company on that domain, I felt it best just to let that bit of work slide into oblivion.

Rhetorica, however, will live on. I back it up regularly enough that I can move the content anywhere if something similar should happen here.

If you visit the Carbon Trace Productions site, you’ll notice something called Eyewitness in the menu. That’s the news arm of Carbon Trace Productions. There’s not much there right now, but soon we’ll begin making it something like Vice for Springfield.

President Trump visits Springfield tomorrow for a rally. I’m unable to attend. But I may have something to say following the fake news reports 😉

As a professor of journalism, does that mean I get to be an enemy of America, too?

June 26, 2018

Bearing Witness

I leave this morning, Texas-bound, with one of my Carbon Trace Productions documentary crew members. We’re going to have a look at the situation on the border.

Rhetorica is not the proper publishing venue, so you should follow our story on Twitter (@arcline, @carbontraceprod) and on the CTP Facebook page. We’ll also post any resulting recap video on the CTP/eyewitness site, which is the (new) news arm of CTP. You’ll find a link on the CTP homepage.

November 30, 2017

The John Wayne Shot

My Carbon Trace documentary team is working on a film called Syrian Doctor (working title) about the mental health crisis in Syrian refugee children that has been called “human devastation syndrome.” (You can follow our progress on Facebook.)

Along the way we have done some humanitarian work (i.e. provided video) for the Syrian American Medical Society. For example, we created this mission recap video from the April medical mission to Jordan. Below is the climax of that video illustrating a bit of video rhetoric (ethos and pathos): something I call the John Wayne shot.

Imagine John Wayne. The actor? A specific character? My guess is the image that popped into your head was Marion Morrison in a cowboy costume walking confidently toward danger — to save the day.

The John Wayne Shot from acline on Vimeo.

That’s exactly the heroic image the John Wayne shot is supposed to invoke. Here’s what it looks like (at :18) at the climax of the video with doctors as the heroes.

April 3, 2017

Pointing Cameras At People

My Carbon Trace Productions team and I will face many tough issues later this week when we begin filming in Jordan for our Syrian Doctor (working title) documentary. I’m betting the toughest part will be pointing cameras at people (because, from my experience as a news photographer, that’s usually the tough part). But not just people. Children. And not just children. Children suffering “human devastation syndrome.”

That’s a term coined by Dr. M. K. Hamza, a neuropsychologist who volunteers with the Syrian American Medical Society (SAMS).

That syndrome is the very thing we’re proposing to document, and we’ll be focusing on Hamza and Dr. Tarif Bakdash, a pediatric neurologist who also volunteers with SAMS.

Well, no. We’ll be focusing on children. The doctors play an important role, obviously. This story cannot be told, however, through a series of talking-head interviews. We have to be there, cameras in hand and pointing them at children and their parents (if alive) and their doctors.

“Pointing them” is pejorative. That’s what it feels like sometimes — on both sides of the camera.

The rhetorical situation demands visual intimacy. There’s only one first step to getting that. Get close.

You can follow our progress on Facebook and on Carbon Trace. I may also post a few things here, but not typical update stuff. I’ll try to illustrate for you the pain on both sides of the camera.

March 17, 2017

Rhetorica Update

A few things going on this spring (cuz, yeah, it has arrived in Missouri):

  • My Carbon Trace Productions documentary team has two projects in the works: 1) Student Debt (working title), and 2) Syrian Refugee Doctor (working title). For the latter, my team and I leave for Jordan in three weeks to begin filming. BTW, only 4 days left for our crowd-funding campaign for the trip. Click here to see the particulars and make a tax-deductible donation.
  • I am compelled to push this idea: Every journalist needs to begin asking this question of public officials: Do you mean that literally? That whole “literally” thing may be the gift that keeps on giving for the news media in the weeks ahead. I’m going to pull that thread a bit and see what happens. It’s related to the stenography issue.
  • Should Rhetorica become the site for an extended examination of the rhetoric of documentary film (and, perhaps, multimedia journalism, especially in its long audio and video forms)? Oh, no! Not another re-invention! 🙂
November 5, 2016

Into The Whole New Thing

As I’ve mentioned earlier, I dipped my toes into the whole documentary film-making thing about two and a half years ago when I began the Downtown project and turned my Carbon Trace blog into a production team site. To check all of this out, you can also visit the official production “company” site at carbontrace.net and start clicking around.

Well, I got hooked.

I turn 60 soon, and I’ve decided to dedicate what’s left of my career in academia to producing documentary films with my students.

That’s another reason I lost patience with the original mission of Rhetorica. Documentary film making is a lot of work and takes a lot of time and attention 🙂

Today I’ve begun some major revamps on all of my websites to prepare to take this new venture far more seriously. You can expect to see many changes. Soon. I only have a few more years left to work.

The Rhetorica Network will remain the umbrella brand. And I’ll post things here as it seems appropriate from time to time.

May 3, 2016

DOWNTOWN: A New American Dream

It’s been a long time since I last updated Rhetorica. I’ve spent most of my intellectual energy the past two years working on my first (yes, there will be more) documentary film. It premieres this Saturday at The Moxie in Springfield, Missouri.

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