Apparently, this Rolling Stone cover is causing a stir on Twitter and Facebook:
Twitter and Facebook are ever aflutter with the petty outrages of the current 15-minute moment. And, typically, this petty outrage is fueled entirely by emotional reactions. OMFG!!! Rolling Stone is Glorifying a terrorist!
Now, don’t even attempt to answer that with any argument that isn’t grounded in cogent rhetorical and ethical analysis. For example: Exactly how, as a rhetorical expression, does the cover glorify the guy? You’ll need to define glory both textually and visually. You’ll need to identify it specifically on the cover and differentiate it from other reasonable interpretations. And you’ll need to demonstrate an intention on the part of Rolling Stone to do any such thing. Without intention, well, I think in cases such as this: no rhetorical harm / no rhetorical foul. You remain free to interpret it as you like and get upset about it. (Failing intention, I’ll accept demonstrating that RS has failed cultural sensibilities, but then you’d have to defend those sensibilities as more than mere emoting or mass hysteria.) It wouldn’t hurt if you could also deal with other uses of this image and explain in detail how they differ rhetorically from this use.
I am a subscriber to Rolling Stone, but I am traveling and will not be able to read the article until next week. But the description on the cover sounds like exactly the kind of reporting we should want about this guy. Who is he? What factors led to his decision to bomb the Boston Marathon? And, what’s really important here, what do answers to these questions (and others) say about the future of such acts in the U.S.
I have no idea if the article will live up to this promise, but the cover seems to me a very good start. We get to stare into the face of domestic terrorism and see that it can look like the cute guy who lives next door. Public served, IMO.
Glory? They call him a “monster.” That is infamy.
UPDATE: Rolling Stone responds:
Our hearts go out to the victims of the Boston Marathon bombing, and our thoughts are always with them and their families. The cover story we are publishing this week falls within the traditions of journalism and Rolling Stone’s long-standing commitment to serious and thoughtful coverage of the most important political and cultural issues of our day. The fact that Dzhokhar Tsarnaev is young, and in the same age group as many of our readers, makes it all the more important for us to examine the complexities of this issue and gain a more complete understanding of how a tragedy like this happens.
Exactly. Sounds like a cover story to me.